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"Cannibal's Hymn" begins as a love song musically it's chocked with Cave's dark wit and irony and ends far more aggressively while retaining its melody. The chorus - members of the London Community Gospel Choir - is prevalent on both records the Bad Seeds' arrangement utilizes them wisely as counterpoint and mirror for Cave's own baritone. It leaves the listener revved up and off-center for what comes next. That he does so while careening through a wall of noisy rock damage is simply stunning. His tense, ambivalent obsession with theology is pervasive he mocks the Western perception of God in the heavens yet seeks the mystery of His nature. As Cave goes right for God in the refrain - "get ready for love" - in the maelstrom, a gospel choir roaring "praise Him" responds. It and Mick Harvey's storm-squall guitar playing shake things loose on "Get Ready for Love," which opens the album. Drummer Jim Sclavunos' aggressive, propulsive kit work is the bedrock of this set.
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Yeah, the same guy who released the Boatman's Call, No More Shall We Part, and Nocturama albums has turned in a pathos-drenched, volume-cranked rocker, full of crunch, punishment - and taste. Abbatoir Blues, the first disc in the set (packaged in pink, of course), is a rock & roll record. They were recorded in a total of 16 days by producer Nick Launay ( Kate Bush, Midnight Oil, Girls Against Boys, Silverchair, INXS, Virgin Prunes, et al.). When Blixa Bargeld left Nick Cave's Bad Seeds, who would have predicted his departure would result in one of the finest offerings in the band's catalog? Abbatoir Blues/The Lyre of Orpheus is a double CD or, rather, two completely different albums packaged in one very handsome box with a stylish lyric booklet and subtly colored pastel sleeves.